Six months after I posted City Paint 5.1 – Ironclad Tattoo Re-do, the artist, Shae Petersen (AKA: FiftyK), happened to stumble across my blog and commented on the photos. He also informed me that he had just completed another mural…and invited me to stop-by for a visit.
I hope you’ll forgive the bit of sun-flare in the first three photos. I managed to find someone nearby who allowed me into the fenced and locked property at almost noon on a mid-week day…so I couldn’t be choosy with the shooting arrangements…full sun overhead…shadows near the mural…anyway…I hope you’ll enjoy the images despite their flaws….
Shae told me that he had been commissioned by the Utah Arts Alliance to paint the Urban Jungle mural.
He said that it will be the backdrop feature for a new urban-art garden that will be constructed in the empty lot that is immediately in front of the mural. The painting is actually on a reception center building located at 615 West 100 South in Salt Lake City.
When I asked him about the theme and how much liberty he and Chew had in creating the mural, he said that they were essentially told to use their discretion and make it however they wanted to.
Shae told me that he and another artist, Chew, the owner of Mark’s Ark combined their talents to create the mural that they have named “Urban Jungle.”
He also told me that Chew had worked on other murals that you may have seen here on my blog… City Paint 1 – 5 Monkeys Bar and City Paint 3 – 2012 – The End?, as well as the recently posted City Paint 12.2 – 2020…Perfect Vision, and the Ironclad Tattoo mural that I mentioned above.
He said the urban jungle theme just struck them as appropriate…the animals don’t really have any significance in their selection or appearance…just seemed that they belonged there.
The mural is 127 feet in length and took the artists about two weeks to complete…for a cost of $1500.00….
You can follow this link to view more of Shae’s work.
Thank you for spending a bit of your day with me. I hope you enjoyed the fantastically colored and skillfully rendered mural as much as I did. If you’d like to view more of the City Paint Series, as well as other tidbits of street art and graffiti that I’ve found in the Salt Lake City area, you can scroll to the bottom of the page, find the “Categories” widget, and then click on “Street Art – Graffiti.”
Wow….I guess it’s been a while since I posted the beginning of this mural in City Paint 12.1 – 2020…Perfect Vision. I had stopped-by and taken photos of the progress on another four occasions, but had not managed to get it all together in posts to show the work…so here we are, ten months later (Really?!) and I’m just now sharing the end result…and as chance/fate would have it, this mural has already been covered and work is being done on a new one. Stay tuned….
The panorama shots that I made didn’t turn-out real well…and my stitching capabilities are nil…so we’re left with three images that I hope you can imagine as an entire mural…looking from the left in the above image…to the middle in the photo below…
…and to the far right in the next image below…three panels depicting a perfect vision for the future…maybe…hoping that we can see as clearly….?
I’ve also provided a handful of close-up images to demonstrate the detail…to show the brush-strokes of the spray-painted mural.
I do know that parts of the mural were, indeed, spray-painted, as I’ve shared in the first post…but, I am not sure if the individual artists who contributed to the greater image used brushes or not. If you remember the western mural that I shared in City Paint 6.5, you might also recall the images of the artist using an actual brush.
When sharing other artists’ work in these and other images, I attempt to give credit where it is due. I do not know all of the artists’ names who participated in creating this huge mural, but I do know that Kier Defstar played a significant role, as I was so informed by the Korner Market staff when I inquired about the 2012 mural in City Paint 3.
If you look closely at the various images, you will be able to see other names, as well…. I have heard about some of these other artists and have only seen the names of still others of them…but here they are: Brute, Amer, Mark’s Ark, Aloha Family, Marlee, Lost Art, and Sily. If there are other artists who worked on the mural, I apologize for not naming them…I simply don’t know who they are right now. With any luck (?), some of the other artists might happen across the images on my blog and let me know that they, too, contributed to the masterpiece…….it’s happened before……
I have offered that the Aloha Family is a group of artists, simply because it appears in the below photo that they are…possibly the individual artists’ names are here, too?
And maybe this is another artist’s signature?
Is the space-ship preparing to kidnap a large cat in the image below? I’m not sure…but I do love the detail on the woman’s portrait….
This is crazy beautiful as you stand next to it on the street and look at it face to face……
And finally, what I understand to be the centerpiece of the mural, the exotic woman looking into and maybe even divining the future…she appears to be a mixture of the various phenotypes of our human species…intelligent, strong, beautiful……
Thank you, as always, for visiting…for spending your time with me. I hope you’ve enjoyed viewing the finished product of the 2020 Perfect Vision mural. If you’d like to see the other City Paint images of street art and graffiti from around Salt Lake City, Utah, USA, you can scroll to the bottom of the page and click on the “Street Art – Graffiti” category to see all of them.
From looking at a map of the area, I want to say that the draw (the “V” area just above the fence-posts) is either Pole Canyon or Four Mile Canyon…but I’m not certain….. This was taken facing north from Cedar Fort Road…out in Utah County…a bit north of Eagle Mountain.
I made this photo in October, 2010 during my first visit to the area…high up in the Uinta Mountains of Summit County, Utah, north and east of the Salt Lake Valley. This riverbed will soon (?) be under the crush of the raging snow-melt and we’ll have to wait until the late summer and fall to see the slate bottom again…..
A week or so ago, my second son and I headed out into the beyond…took a tour around Utah Lake…essentially followed in the tire-tracks of my third son who had made the trip on his bike last summer. At the southern end of the lake, the road heads back east. About two and a half miles past the town of Goshen, you can see what appears to be the remains of something on the side of a mountain. Even from a distance, you can also see that it has been frequented by taggers and graffiti artists. My cycling son had mentioned the ruins after his ride and suggested that we needed to check it out sometime.
After leaving this site and finding a stronger signal for his phone, my second son determined that these were/are the ruins of the Tintic Standard Reduction Mill…an ore processing facility that was built between 1919-1921…and only used for four years…so it has been standing vacant and abandoned since 1925. For a very brief history of the mill, you can click on the highlighted name to be taken to the Wiki article that provides a bit of information.
This link to the Historic American Engineering Record provides a more extensive history…and shows us what the ruins looked like back in 1971, after it had been abandoned for 46 years, and before a select demographic of our country decided that they needed to decorate the place with their spray-painted opinions and expressions of art. The following images represent what the place looks like today…42 years after the essentially “clean” images from 1971…and 88 years after it was abandoned.
The entirety of the mill structure spans an elevation equivalent to eight stories of a building and is situated on the side of Warm Springs Mountain, 5,535 ft elev.
The circular structures are leaching vats where the crushed ore would be chemically processed to remove the silver, copper, lead, and gold.
Don’t know enough about it to even guess what the circular things below were/are….
Under the vats…supports…drains(?)…retention walls….
The inside of a leaching vat…
These are the ore bins toward the right of the photo…above the leaching vats.
A view looking over the ore bins…with my son at the far end.
My son looking into the silver precipitator…the square-shaped structure with the conical (inverted pyramids) chute underneath…situated to the left of the leaching vats in the third photo above.
If you click on the link for the Historic American Engineering Record, you can see the diagrams that identify the various parts of the mill that I have named in the post…the leaching vats, silver precipitator, ore bins, roaster, etc….
I believe that’s the water tank in the photo below…with Savannah and Shilo painted on it…….and if you look in the very first photo above…and notice the somewhat removed, shadowy structure to the very bottom right, those are the lead precipitate bins…..
Looking over the ore bins…in the opposite direction.
The front of the roaster section….
I believe the space between the large structure on the right side of the image and the broken-through wall (that general area) is where the crusher was located…and the large structure is where the ore was roasted.
Warm Springs pond/lake below the mill….
Looking over the roaster, ore bins, silver precipitator, and leaching vats….
The below image is from the highest, developed area of the mill…where I was standing on the remaining foundation of what I believe you can see in the very top left corner of the last image of the post.
The Tintic Standard Reduction Mill before its decline….
Hmm…so this post was quite a bit longer than my normal fare…but I hope you enjoyed it anyway…..
As always, thank you for being here.
she sang and sang…and the quiet was sad without her….
Another image for Gunta…situated near Eagle Mountain, Utah…west of Lehi and Provo…looking east toward the Wasatch Mountains….
This is one stretch of the Wasatch Mountains over The Great Salt Lake, as viewed from Antelope Island in the middle of February, 2012.